HW Pick: Voice Meets Cinematic Masterpiece At Lincoln Center: NY Choral Society’s “Voices Of Light”

September 24, 2024

The New York Choral Society, a pioneering symphonic chorus committed to presenting diverse repertoire and innovative collaborations for the last 65 years will perform Voices of Light by Richard Einhorn.

This performance, paired with the screening of the silent film classic The Passion of Joan of Arc, will take place on Friday, November 1, 2024, at 7:30 PM at Lincoln Center’s Alice Tully Hall. Featuring more than 170 voices from the New York Choral Society, the Mannes Orchestra, and critically acclaimed soloists, The Polyphonists, this performance combines a compelling live orchestral score with one of the greatest films in cinema history.

This event marks the first concert of their season titled She Sings: A Season of Extraordinary Women.

“… based on excerpts from ancient writings …”

Voices of Light is an oratorio by New York native Richard Einhorn, inspired by The Passion of Joan of Arc, the iconic 1928 silent film directed by Carl Theodor Dreyer. The piece uses a libretto based on excerpts from ancient writings, predominantly those of medieval female mystics, including texts directly from Joan of Arc’s accusers and her own responses.

This composition employs a multi-layered musical structure designed to evoke the polyphonic music of Joan’s era, featuring a dramatically slowed-down Gregorian chant overlaid with multiple texts.

The film, The Passion of Joan of Arc, is considered a masterpiece of cinema, known for its stark portrayal of the emotional depth of its protagonist, portrayed by Renée Falconetti in a legendary performance that remains a touchstone of film acting. The film’s visual style, coupled with Einhorn’s moving composition, creates an immersive experience that has captivated audiences worldwide. Influencing directors such as Alfred Hitchcock and Steven Spielberg, (and boasting a 98% rating on Rotten Tomatoes), this film has left an indelible mark on the world of cinema. Previously lost to fire and believed destroyed, a perfect copy of the film was discovered and has been meticulously restored, allowing modern audiences to experience Dreyer’s visionary work as it was originally intended.


Music Director David Hayes comments on the collaboration: “Uniting over 170 voices from our chorus with the Mannes Orchestra, and the evocative story of Joan of Arc on film, offers a unique challenge and joy. This performance not only showcases the dynamism of live choral music but also enriches our understanding of historical narratives through a powerful artistic expression.”\”,,

… celebrating powerful female voices …”

Ellen PutneyMoore, the organization’s newly appointed Executive Director, reflects on the significance of this event: “Our season opener, Voices of Light, perfectly aligns with our ‘Season of the Woman’ theme, celebrating powerful female voices throughout history. Joan of Arc’s story, her strength, and her spirit are emblematic of the resilience and courage we aim to highlight this season.”

This production has been made possible through the generous support of the Martin L. Finkelman Bequest.

Performance

Voices of Light will be performed on Friday, November 1, 2024, at 7:30 pm at Alice Tully Hall. Tickets start at $40 and are available at https://nychoral.org/event/voices-of-light/

Alice Tully Hall is located at 941 Broadway at, W 65th. The nearest accessible subway stations are the West 66th Street station (1 train) and the 59th Street-Columbus Circle station (A, B, C, D, or 1 trains)

NY Choral Society

Founded in 1959, the NY Choral Society is hailed as one of the mainstays of the city’s music scene, known for its adventurous repertoire. Committed to presenting a diverse repertoire that spans from well-known choral works, great compositions rarely heard in concert halls, and newer culturally significant choral works, innovative collaborations and exceptional artistry highlight the essential joy and power of live choral music for New York patrons each season. Made up of more than 150 voices, ages 19-90, the chorus is led by Music Director David Hayes and performs at venues throughout the New York metropolitan area including Carnegie Hall, and partnered with major arts institutions like American Ballet Theatre, Lincoln Center, the New York City Ballet and Orchestra, the New York Philharmonic, and many others. From their debut concert at the David Geffen Hall, formerly known as Philharmonic Hall with just over a dozen singers in 1965, the New York Choral Society continues to expand its artistic mission, educational commitment, and legacy, bringing choral music into the twenty-first century and beyond.

The Polyphonists

The Polyphonists (puh-LIH-fuh-nists) are a professional vocal ensemble founded from two households: soprano Amy Broadbent & tenor Matthew Hill, and mezzo-soprano Sylvia Leith & bass-baritone Edmund Milly. The word polyphony describes many independent voices interwoven in harmony, and that is our ethos: We are four soloists, but we come together to create music that transcends our individuality.

Since their debut in 2020, The Polyphonists have garnered a steady following and developed a reputation for sophisticated and broad-ranging programming. The Polyphonists were honored as National Finalists for The American Prize in Chamber Music Performance, 2023 (Professional Division), and have been featured in residence at the University of Maryland, Towson University, the University of Oklahoma, & Oklahoma Baptist University. Our repertoire spans from the early Renaissance through the current day, with a commitment to expanding the choral canon by premiering new works and shining a light on lesser-known gems of the repertoire.

Photo credit: Wiki.


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2 Comments

  1. One problem with “The Passion of Joan of Arc” is that it was based virtually entirely on the claims of Joan of Arc’s enemies which are soundly contradicted by everything else: dozens of eyewitnesses who were at the trial later said the trial transcript was falsified by the pro-English tribunal, especially on issues such as the reasons for her alleged “relapse” and conviction and her supposed refusal to submit to the Church, which was invented by her accusers.

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